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beverlie wallace

badbadb:lovecurvygurls:A lot more than a handfulShe needs extra hands

badbadb:

lovecurvygurls:

A lot more than a handful

She needs extra hands

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Source: beverlie-wallace

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zepharc:Jake Davis on the Unis NY lookbook C Roll

zepharc:

Jake Davis on the Unis NY lookbook C Roll

Source: beverlie-wallace

yuivideo:

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(via )

Source: beverlie-wallace

youknowyoureaswimmer:You know you

youknowyoureaswimmer:

You know you

Source: beverlie-wallace

yellow-label-tea:

何これ凄い。画面上にある無数の四角のどれか一つをクリック。次に別の四角をクリック。1時間くらいこれで遊べそうな気がする。



mudjoe2
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CLICK THE SQUARES

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ceramicsnow:

Interview with ceramic artist Blaine Avery - Spotlight, November 2011

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→ The full interview with Blaine Avery is featured in Ceramics Now Magazine - Issue One / Winter 2011-2012.

Ceramics Now Magazine
: You’ve been working with ceramics for over twenty years now. Do you remember your first works? How did you evolved in time?

Blaine Avery: It has been just over 20 years since I stated in the field of ceramics. I remember my first works very well I know at every point in my career I strived to produce the best possible work I could, going against any business plan and striving to be the best artist I could. I threw away many of my works because in my opinion they just did not meet the mark. I felt it better to show and sell only what I felt was the finest quality I could produce at any point of my development as an artist. My first works were refined shapes as I was trying to get to the root of the form. Most were based on early american folk pottery that of, Edgefield South Carolina, Central North Carolina stonewares and slip trailed earthen wares.

These first works were simply glazed or left unglazed and fired in a wood-fired salt glazing kiln. In my early work I wasn’t ready to decorate the surface, I was only concerned with the root of the form; once I felt that I had achieved mastery of this, only then was I able to begin to think of working with surface design, by adding patterns a zoomorphic imagery. However, some forms still call me to show their true essence.

Blaine Avery Ceramics - Ceramics Now Magazine

Dancing turtle platter (salt glazed, local clay, hand painted slip, glaze) - View Blaine’s works

You work with great delicacy when using patterns and symbols of ancient cultures on your works. How do you choose these patterns?

I first began looking at my surroundings, taking patters and imagery from nature. So much inspiration can be found in nature, if you just pay attention to its rhythm and symmetry. With other designs I do look back on many cultures, taking from them what I feel is relevant to me in this time and place. I first started looking at early American ceramics of the 1600’s forward, than from there I began studying pre-Columbian ceramics and folk art from around the world. There is a common thread that links all ancient cultures, a trueness and simplicity that I feel drawn to. I also study textile patterns for many ideas as in nature there is a rhythm, a symmetry and a repetition that calls to me. Sometimes, I take only one small part of a pattern and cover the pot with it, repeating the process over and over; repetition can be very powerful if done correctly.

Read More

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chaz2sexy:Andy Woodward

chaz2sexy:

Andy Woodward

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Wingless News: Youth

winglessnews:

In this Monday’s New York Times, there was a remarkable piece on the fifteen year anniversary of Fox News by Brian Stelter. The article starred Mr. America himself, Sean Hannity. Stelter managed to objectively slice into the body of the cable station with precision, opening up it’s chest…

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Source: beverlie-wallace